Self Interview, January 2, 2014

I return from the world of sleep and feel grudging acceptance of daylight, curtains, clothing. You do too. Oh you’ll tell yourself the snow is novel, the coffee perfect. You’ll resist my impertinent reach, declaring something about fatuousness—for even if what I say is true, even if you’re tired of dear things, you won’t admit it. And I don’t blame you. You have in mind hot yoga and a trip to the mall. The poet Anselm Hollo called American shopping malls “the bloody monolith” which beats anything I might add. 

 

**

 

If my identity has value its outside the city walls. The blind are making violins. A man with one leg is eating fallen fruit. If its true folly is unsafe, then these men are unsafe. I know about this. I’m an expert in folly and ostracism. In the ocean of perception I’m suspicious but I still make my violin. The blind are still outside the city walls. Outside. Outside. In the woods. 

 

**

 

I’ve entered the long winter of intellectual will at 58. My sentimentality has drained away. I still have a musical heart but its only interested in the later Mahler. My heart don’t give a shit about the Baroque. 

 

**

 

Let me not mistake the petty tremors of my mind for insight. If there are still a few gods. I want clarity in old age. 

 

**

 

See how these paragraphs grow smaller? 

 

       

Standing On Melancholy Rock

My friend and colleague Bill Peace has written a post on his blog Bad Cripple entitled “Anatomy of Melancholy: A Post for my Good Friend Stephen Kuusisto” and my melancholy selves are honored. 

I live in fear that Justice will be replaced by Pity as the cardinal human virtue. (The expression is Auden’s, the fear is general.) 

When I was a kid other boys taunted me for being blind. Some threw stones. Melancholy isn’t sadness. It comes later and steals up on you from within. Today we call it depression but like everything else with our language it doesn’t capture the nuances and tinctures of melancholy which are composed of love and desperation and something akin to crying for the moon. But whatever its recipe melancholy started for me that day in 1960 when the boys threw stones and sang a song about me and I retreated to the unoccupied spaces for the miserably identified—places oh so familiar to children and adults with disabilities. Oh I’ve squeezed some poetry out of those attics and bomb shelters. Melancholy may not be the muse but she’s got her number. And melancholy loves anyone who cries for the moon. 

I take 40 mg of Citalopram (Celexa) per day. It helps me get out of bed. Nowadays its part of a conversational song though I don’t sing it, only arrange it in my head. I won’t share it. Melancholy has her dignity. The anatomy of M is highly articulated like the skeleton of Joseph Merrick. The full song would take a long time to sing like a sea chantey. But the song has a line: “look yonder, there’s melancholy rock.” 

 

Many Happy Returns to You and Your Shadow

The year is new—hypo allergenic like certain poodles—and you can feel lucky or dreadful but the year (like a poodle) will have none of you, for the year is high strung and indifferent as years must be. I won’t go on with the simile. I’m sorry. Perhaps you love your poodle. I’m sincere. I don’t wish to offend “poodlers”. No one can live without sentiment. Capitalism as its now bruited will do anything to rob you of your last ounce of sentiment. I’m sorry I kicked your poodle. But whatever I say, the year will have only indifference like the stars. 

 

When I think about the virgin year I’m mindful of just how provisional and difficult the lives of people with disabilities remain worldwide. If you want to know about cruelty and “ranking” (in the crudest sociological sense) than look to disability. Look to it here at home in the United States and you’ll see how the police in Maryland killed a young man with Down Syndrome; see how a blind man and his guide dog were kicked off a US Air flight; see how the liberal press (Chris Hedges, Democracy Now, Alternet, etc.) actively rooted for a disabled American veteran of the Iraq war to kill himself—just so they could pin it on Bush and Cheney. These examples are from the US. When you look at disability globally things are no better. A UNICEF Report on the state of the world’s children highlights the plight of kids with disabilities across the planet—ill clothed, unschooled, without health care, denied food. The virgin year indeed. Don’t let the new year rob you of your heart’s renewal. If you’re an able bodied person I suggest you write your Senator and demand passage of the UN Charter on the Rights of Persons with Disabilities. 

 

A friend sent me a poem in which he calculates how far William Wordsworth walked in his lifetime and in turn, calculates the poet’s mileage per line of verse. I love this idea. What if instead of watching vulgar automobile commercials (as most Americans will do today, especially if they watch college football—for every sporting event is now sponsored by Lexus, BMW, Audi, and Mercedes Benz. Gone are the days of shaving cream, Schlitz, and Aqua Velva)—what if instead of vulgar car advertisements Americans were challenged to imagine their human and social productivity per mile? Emerson would have championed this. Why I think even Teddy Roosevelt would have endorsed such a plan. Our new year dawns on a nation more politically immune to suffering and the true calling of our souls than at any time in its history. I take no pleasure saying so. 

 

Here’s wishing you long walks, walks with ideas, chance meetings with wise and kind strangers. And triumphs of the spirit. I’m wishing you those. 

 

I think we gave away too much when we abandoned Freud and Jung, preferring pills and “big pharma” to the hard work—the acknowledgment—that the unconscious has lots of darkness. America is a nation of terrifying smiles. I can’t find the quote right now, but Alice Munro said recently the most frightening people are the do gooders (paraphrase mine). I tend to think we’re in Fascist times and its proper and necessary both to say it aloud and to know who you’re looking at—whether on television or in a board room or on a street corner. As World War II commenced the poet W.H. Auden wrote the following poem. It strikes an eerie chord, or if not a chord precisely, maybe some thermemin music

 

 

Blessed Event

 

Round the three actors in any blessed event

Is always standing an invisible audience of four,

The double twins, the fallen natures of man.

 

On the Left they remember difficult childhoods,

On the Right they have forgotten why they were so happy,

Above sit the best decisive people,

Below they must kneel all day so as not to be governed. 

 

Four voices just audible in the hush of any Christmas:

Accept my friendship or die.

I shall keep order and not very much will happen.

Bring me luck and of course I’ll support you.

I smell blood and an era of prominent madmen.

 

But the Three hear nothing and are blind even to the landscape 

With its towns and rivers and pretty pieces of nonsense.

He, all father, repenting their animal nights,

Cries: Why did she have to be tortured? It is all my fault.

Once more a virgin, She whispers: The Future shall never suffer.

And the New Life awkwardly touches its home, beginning to fumble

About in the Truth for the straight successful Way

Which will always appear to end in some dreadful defeat.

 

**

 

Yes. The Wise Men, poor dears, have walked into a story “in medias res” and damned if every human actor isn’t two actors—one smiling, the other stricken by guilt. What a dramatis personnae. Cue that Theremin music indeed. 

 

And the new year with its pretty pieces of nonsense is here. 

 

So if ostensibly I write to you about a clean slate, look behind me to see what my shadow is up to. 

 

I know for certain, owing to dreams, my shadow is very upset about the children of war. 

 

Happy new year. Small letters. Happy straight successful Way. Capital “W” for will and work.