Of Xanadu and Kubla Khan

I have written two memoirs that are respectively and in part concerned with the subject of my family and the matter of disability.  If you have read those books you know that my mother and father were deeply divided about my blindness when I was a boy.  They knew the "facts" concerning my disability but they had little or no emotional language that might enable our family to talk about the daily realities that accompany visual impairment.

The gap between empirical knowledge and emotional intelligence is a common problem for families that are faced with disability.  I think it’s also the case that this language gap happens when family’s face almost anything they weren’t counting on: teenage pregnancy, drug addiction, alcoholism, an unfaithful spouse–all these problems naturally come to mind.

The difference with disability is that unlike the other circumstances you can’t really deny its existence for more than about sixty seconds, which is about how long the average person can hold his or her breath.  You can pretend that grandma is eccentric for years even as she sequentially sets fire to the living room furniture and wrecks several station wagons.  She’s not a drunk.  She’s gravitationally challenged; she’s "spiritual"; by God she’s a genius!

Even though my family liked to pretend that I wasn’t blind, I always "was" and the story of our growth together has everything to do with learning the emotional language of disability.

Another way to think about this is to imagine that the idea that you can "not think" about disability is as ridiculous as eating opium.  Everybody knows the story of Samuel Taylor Coleridge who began writing his visionary and Romantic poem "Kubla Khan" while under the influence of laudanum.  The poem was coming along nicely when suddenly a local laboring man knocked on Coleridge’s door and interrupted the poet’s "Magical Mystery Tour".  Coleridge was never able to complete the poem and it is routinely reprinted in anthologies to this day, largely as an example of "what might have been".

I’ve always thought of the Kubla Khan story as being a kind of disability narrative.  Disability always knocks and interrupts what you were thinking about.

In turn, I guess you could say that disability asks us to live out in the open and to use our poetic gifts in the service of community.  This is why I believe that so much good contemporary literary writing has been done by people who have chosen to talk about disability in their lives.  Writers like Ralph Savarese, Floyd Skloot, Anne Finger, Kenny Fries, come to mind and of course there are hundreds more.

I owe a good deal to my parents even though they were slow to learn the language of disability.  They encouraged me to take up writing and they understood that progress is progress, even if you don’t always like the new names you have to give it.  My parents didn’t like the fact that I was blind but they learned to talk about it and even admire it.

This is what good families do: we learn new emotional languages together.  One day your daughter announces that she’s marrying someone you can scarcely imagine in your midst.  And then you do imagine it.  And then, after years, you think it was your idea all along.

Thank God for families, even with all their flaws!

Steve Kuusisto

Turtles on a Fence Post

I watched part of the Tony Blair-George W. Bush news conference and was reminded of the old folk story about the turtle on a fence post.  Here were two men who know that their respective places in history will be circumscribed by the course of events in Iraq.  They can’t imagine how this turtle got on top of that fence post.  And so of course they talked about courage and they spoke about the hard decisions that leaders must make and they spoke affirmingly of their corresponding strength of purpose.

The trouble is that for George W. Bush the war in Iraq was always meant to be nothing more than a theatrical production.  It was supposed to be easy.  It was never meant to be a war on terror.  Iraq was nothing more than an extravaganza.  And when it quickly became a civil war with a swift infusion of real terrorists Bush failed to put enough troops on the ground to manage the situation.  We don’t have to wait for history to know these things.

I am certain that our nation’s current course of action is utterly wrong.  No rational person inside or outside the military believes that we should keep our troops in a civil war.

But courage in this instance requires more than the social semiotics of the turtle on the fence post.  Iraq is not the front line in the "war on terror"–it’s a blunder  that looks and smells like imperialist occupation and the sooner the U.S. gets out the sooner we can work toward peaceful solutions for the many conflicts that are heating up across the Middle East.

Such a move will look at first like defeat.  But it won’t be.  History assures us of that.

Life In Wartime

There are bodies that stay home and keep living.

Wisteria and Queen Anne’s Lace

But women and children too.

And countless men at gasoline stations.

Schoolteachers who resemble candles,

Boys with metabolisms geared to the future,

Musicians trying for moon effects…

The sky, which cannot expire, readies itself with clouds

Or a perfect blue

Or halos or the amoebic shapes

Of things to come.

The railway weeds are filled with water.

How do living things carry particles

Of sacrifice? Why are gods talking in the corn ?

Enough to feel the future underfoot.

Someone is crying three houses down.

Many are gone or are going.

S.K.   

 

A Chautauqua Institution Invitation

Mark Your Calendar: Join Steve at the Chautauqua Institution!

  • WHAT:  Book reading and presentation for Eavesdropping at the 2007 Chautauqua Literary & Scientific Circle series of book presentations  www.ciweb.org
  • WHEN:  Thursday, August 16, 2007 at 4:00 p.m.
  • WHERE:  Hall of Philosophy at the Chautauqua Institution, Chautauqua, NY
  • MORE INFO:  view WEEK 8 by following this link

Is this exciting or what?  Come join us, won’t you?

~ Connie

Dear Maya Angelou

I wasn’t in the best of moods last night as we headed to town to the Ohio Theatre to see and listen to Dr. Maya Angelou.  In fact I was a little worried I might fall asleep listening to poetry being read for an hour and a half.  But an opportunity to be present in the same space with Dr. Angelou is not something to be taken for granted;  I was determined to adjust my attitude and appreciate the "real moments" gifted to us by this lovely, remarkable woman.

Dr. Angelou is lovely indeed.  Warm, witty, opinionated, wise, courageous…. She actually recited very little poetry last night.  She talked, sang a little and why she even cussed on occasion!  Much of what she shared can be read here.  She talked a great deal about how we all have in our lives "rainbows in the clouds" and how each of us have opportunities to be a rainbow in other peoples lives.  She spoke warmly of her "crippled" Uncle Willy and of the numerous people touched by his presence in their lives – a rainbow to many.  "Uncle Willy was crippled" she said, paralyzed on his right side, perhaps from polio.  No one ever really knew…

Maya shared with us her belief that courage is the most important virtue we can "practice" because with out courage, we can not consistently practice any of the other virtues.  Not consistently, she emphasized.  That’s when she mentioned her reaction to people who call themselves Christians.  "Really?  Already?" she said to the delight of the audience.  "I’m not done being a Christian; I’m still practicing…when did you finish?" 

In speaking of courage, Maya explained to us her refusal to spend any time in the company of others who use the "N" word or any other pejorative words directed at anyone for that matter.  "To Hell with that!"  It takes courage to excuse yourself from such situations, but we all need to practice it.  With great humor, she told us of an experience she had years ago in dealing with "Hollywood" executive types.  Pejorative language was tossed about the room; she left as people warned her that if did there would be no future for her there.  She then reminded us of just how successful she’s since been as an actress, producer and director despite having walked out then and there.  Just be careful, she warned us.  If you do storm out of the room, make sure you take your car keys with you.  Otherwise like me, you’ll be "hiding in the bushes" until they’re gone.

If you ever have the occasion to spend an evening with Dr. Maya Angelou, do not pass it up.  You’ll laugh.  If you’re like me you’ll cry.  You will walk out with a greater appreciation for the rainbows in your clouds and a determination to look for more opportunities to be a rainbow to others. 

If I could say just one thing to Dr. Angelou, I would ask her to have the courage drop the "C" word and to explain to her audiences why she chooses to no longer refer to Uncle Willy as being a "cripple".  We know Maya’s audience is vast.  She is known around the globe for her work and for her words.  If Maya would acknowledge that she’s come to understand that to many, such language is considered hurtful and pejorative, people would hear her message.  Imagine Maya as a rainbow in the clouds of people with disabilities.  Wouldn’t it be magnificent?

Oh, and one more thing I’d like to say to Maya Angelou: thank you for a lovely evening.

~ Connie

Book critic Bill Eichenberger of the Columbus Dispatch recently interviewed Dr. Angelou.  Here is the link.  You may need to wait a few seconds for it to load.

Morning Glories

Last night I had the good fortune to be part of a big theater crowd in Columbus that heard Maya Angelou talk about everything from lost children to peaceful co-existence.  She spoke as she always does with poetry and compassion.  She is also funny: a thing not lost on her huge audience.  Speaking of people who are assertively religious Dr. Angelou remarked: "when I meet someone who says he’s a Christian, I say to myself, “Already?  When did you finish?"  And in turn she talked about her own daily struggle to be tolerant and good as a "practicing" Christian.  You could feel everyone in the theater just opening up as if we were all part of one immense trellis of morning glories.

Thank you, Connie, for taking me on a date and for the chance to hear a living legend!

S.K.

Self Interview

Our interview was conducted at the Grand Opera Hotel in Zurich.  Mr. Kuusisto was wearing his customary tattered chemise with his hair in the famous "top knot" that his readers have come to expect since he is always absent-mindedly pulling his hair.  Kuusisto was in Zurich to preside at the opening of the world’s first "dog" opera which was of course written by Puccini but the libretto had only recently been discovered at the bottom of a vintage bird cage in a tiny shop on the left bank in Paris.  The bird cage was rumored to have once belonged to Antonin Artaud, the world’s greatest screamer back in the thirties, but no one can fully confirm this.

Q. Why do you like opera that is written for dogs?

A. Dogs have always been the first to really get down there and try new things. They were the first to eat asparagus, the first to roll in dead fish for the sheer helluvit, and they were the first to sing what we nowadays call "bel canto".

Q. What distinguishes Puccini’s musical writing for dogs from his more famous works like "La Boheme"?

A. Nobody ever dies in a dog opera.  Dogs don’t believe in death which is of course why they can roll in dead things and then get on with ordinary business.  The other major difference is that anybody can join a duetat any time: there’s no holding back if you really want to belt it out.

Q. Does canine singing differ much from the human version?

Q. Not as much as you’d think.  For instance, backstage at the Metropolitan Opera in New York they have long used a certain idiomatic expression for the process whereby a tenor will plant his feet and heave his diaphragm and commence with the aria–they call this "park and bark".

Q. What’s the title of this newly discovered Puccini opera for dogs?

A. It’s called "The golden Fire Hydrant".

Q. What is that in Italian? 

A. "Il Fire Hydrant del Oro"which is also a pun in dog language.

Q. When can the public expect to hear this newly discovered masterpiece?

A. The public will never hear this opera.  It’s for dogs only.  They sing it in their own magnificent way and like the moon and the tides it never ends.  That’s the beauty of the thing.  Dogs don’t have to rush out of the opera house and reclaim their cars and trench coats.  And both the high notes and the low notes are equally praised under the doggy stars…

S.K.

Dog Dream

I was riding home on a city bus two nights ago when a blind man with a cane clambered aboard and the driver shouted "watch out for the dog!" as though the man might have a miraculous recovery right there in the aisle of the old number 2, and the man managed to get himself situated opposite me and we were off again heading north on state route 23.

The man with the cane asked me if "the dog" was a "blind dog" and I resisted the opportunity to make a joke and I said that he was a guide dog for the blind.  "Sometimes they’re called seeing-eye dogs, but the correct term is guide dog, or dog guide" I said.

Then a funny feeling came over me.  It was like the intuition you sometimes get at the racetrack–"bet on olde Doctor Boondoggle right now, don’t give it a second thought.  I asked the man if he’d like to "see" my dog.

Ordinarily you don’t let anyone interact with a guide dog, especially if you’re on a bus.

And so with Vidal’s head resting on the man’s knee and with his evident joy rising around us, I heard the story of how he lost his eyesight by gun shot, and how he has been learning to walk with his "Braille stick" as he called it.

He didn’t know that guide dogs for the blind are offered free of charge or that the training and the transportation are also free.  He didn’t know that the guide dog programs offer funding for veterinary care.

Pretty soon the bus driver was getting in on the conversation.  She was saying things like, "My God, that’s fantastic!"

Soon enough the man with the cane had arrived at his stop.  He repeated the name of the guide dog school that I had given him.  He climbed down the steps of the bus with a sense of uplift.  You can sometimes descend stairs while feeling that you’re going up.  Maybe that’s a "blind thing"?

I don’t know if he will ever get his dog.  I find that most days I live in hope.  On those days I don’t feel hope I take some Prozac and read a book by Mark Twain.

In the meantime, I hope that man calls Guiding Eyes for the Blind.  I hope his life opens before him.  He sure liked having my dog’s head on his knee.

S.K.