I remember on my 27th birthday alone in Berlin walking in the rain. Walking alone when you’re blind is a trick and in those days I didn’t use a cane or dog—I trusted fate and followed strangers often because of the color of their clothing.
I followed Mr. Red macintosh on Kurferstendamm and as we went along I began humming jazz standards in my head.
All good songs are yellow flowers in one’s head. Bud Powell: “Collard Greens and Black Eyed Peas”; Thelonius Monk: “Straight, No Chaser”; Art Blakey and the Jazz Messengers: “Along Came Betty”. At Cafe Kranzier I shed my coat to feel rain on my arms. O Bohemian jazz boy both lonesome and strangely happy under the plane trees.
Essay: Sand
I woke to the waves and sand and realized I’d been dreaming of my father. We were in Finland back in the late fifties, a time when it seemed people didn’t laugh. The water had to do all the laughing in those days. Clouds watched the children. There were very few televisions. I remember the adults reading books by the sea. The ocean was everyone’s philosopher. Those were beautiful days. Everyone had his cup of sand.
On Leaving Facebook
Mark Twain said quitting smoking was easy, he’d done it 17 times. At least I think that’s what he said. I could look it up but I don’t want to. And that’s my problem: I’m getting “clear” with my digital demon. I just plain, flat out, spend too much time online.
This isn’t easy—this business of leaving Facebook. I was a lonesome child. Disability in the fifties and early sixties was a ticket to isolation. For me, Facebook has been a wonderful means of connection to a world of thoughtful and ardent neighbors.
But I confess I can’t control it. I spend hours scrolling up and down and worse, I’ve been posting every inflammatory thing I read as do many of my friends. I’ve come to understand FB as a place in cyberspace where people like me throw open their windows and shout to their neighbors: “I’m mad as Hell and I’m not going to take it anymore!” (If you’re of a certain age you’ll get the movie reference.)
Some days I feel like Dr. Jekyll when I’m on Facebook. I love people. In fact I have a wee bit of Walt Whitman inside me. When I walk on the streets I see strangers and think “there’s another soul” and the idea thrills me. The “Hyde” of FB is its lobster trap effect: I’m locked in with too many wild emotions.
Facebook turns me into Mr. Hyde.
Now you can argue and say something like Eleanor Roosevelt’s famous dictum “no one can make you feel bad about yourself without your permission” (I think that’s what she said. I could look it up…)
Mrs. Roosevelt was right about that. She learned that from her encounters with her mother in law. (Everyone do your own joke.)
But the thing is, you don’t become Mr. Hyde unless you’re too preoccupied with London. Hyde is the dark side of the London Victorian flaneur.
Facebook turns me into a lobster-flaneur very quickly.
I’m sorry Mrs. Roosevelt. Permission is too quaint.
A few months ago I said I was leaving FB and the experiment lasted two days. Then I was back. I didn’t even bother to explain my return. Crustaceans don’t have to explain anything.
You see its the lonely kid in me who doesn’t want to leave social media. He was terribly lonesome. But there’s no help for it. You can be lonely and preserve your essential sweetness I think.
If people on FB who like connecting with me want to write me my non-Facebook email is stevekuusisto@gmail.com
My blog will go on as usual, largely because I receive many notes from disabled people around the world and if being a writer has any merit it may reside only in that we can speak for those who cannot do so for themselves.
I will miss you my fellow lobsters. Drop me a note now and then. Unlike regular fish, lobsters can read.
Life Inside Life
Like the spoon inside the shovel, my memories, slim and silvery. Like the eyes inside the oak.
The one who was me is no longer. This is one of the godly lessons: we die several times even as the plucky heart goes on beating.
If the tincture of growing old is a remedy was life, was all acquisitiveness some kind of pathology?
The worm inside the thistle; the burgeoning thorn inside the worm; the boy in memory, whose first toy was a wooden top, he’s inside the thorn inside the worm inside the thistle.
My Finnish grandmother had a time honored recipe for thistle soup.
Karl Marx and Sigmund Freud in the Rumble Seat
My father has been gone for almost fifteen years and yesterday I saw him vividly as my aunt described how she and her brother used to drive around Boston—my father at the wheel, Miriam in the rumble seat. The year was 1947. Allan was working on his doctorate at Harvard; Miriam was an undergrad at Boston University.
They were children of the depression, Finnish kids who’d grown up in the conservative confines of Finnish-American Lutheranism. (I remember seeing one of my father’s diary entries from the day he turned 12: I got ten cents and a new hair brush. Pretty good!
Poverty was one thing; the Lutheranism another. Miriam and Allan’s father was a minister. Stern and formal their upbringing was. Their mother, devout to a T, was fond of vanity, vanity, all is vanity. If my father brushed his hair he didn’t do it before a mirror.
Now the war was over and the Finn kids were driving around Cambridge, Allan home from the Pacific, Miriam released from the parsonage and the wind was blowing through their hair and so were the ideas that struck everyone who went to post-war college as new and liberating.
“Allan was talking about Karl Marx and I was regaling him about Freud,” Miriam said during our phone chat. “Ideas were fresh; everything was heady.”
This was the happiest New Year’s Day conversation I’ve ever had.
Do you remember when ideas were fresh? Listening to Miriam I recalled reading Lorca for the first time and being so struck by his rich figures of eternity I ventured into a cemetery and ate some grass.
Karl Marx and Sigmund Freud in the Rumble Seat
My father has been gone for almost fifteen years and yesterday I saw him vividly as my aunt described how she and her brother used to drive around Boston—my father at the wheel, Miriam in the rumble seat. The year was 1947. Allan was working on his doctorate at Harvard; Miriam was an undergrad at Boston University.
They were children of the depression, Finnish kids who’d grown up in the conservative confines of Finnish-American Lutheranism. (I remember seeing one of my father’s diary entries from the day he turned 12: I got ten cents and a new hair brush. Pretty good!
Poverty was one thing; the Lutheranism another. Miriam and Allan’s father was a minister. Stern and formal their upbringing was. Their mother, devout to a T, was fond of vanity, vanity, all is vanity. If my father brushed his hair he didn’t do it before a mirror.
Now the war was over and the Finn kids were driving around Cambridge, Allan home from the Pacific, Miriam released from the parsonage and the wind was blowing through their hair and so were the ideas that struck everyone who went to post-war college as new and liberating.
“Allan was talking about Karl Marx and I was regaling him about Freud,” Miriam said during our phone chat. “Ideas were fresh; everything was heady.”
This was the happiest New Year’s Day conversation I’ve ever had.
Do you remember when ideas were fresh? Listening to Miriam I recalled reading Lorca for the first time and being so struck by his rich figures of eternity I ventured into a cemetery and ate some grass.
Thinking of Voltaire
It was long ago I read Voltaire alone in the college library. Nixon was in the White House; students ran across campus “streaking” and everywhere I looked, people who were perfectly respectable were smoking as much marijuana as they could get their hands on. I understood at 18 there was something overtly deleterious in the air, a disatisfaction with fortune. Voltaire was just the balm. As to authority Voltaire got me laughing with:
“Wretched human beings, whether you wear green robes, turbans, black robes or surplices, cloaks and neckbands, never seek to use authority where there is question only of reason, or consent to be scoffed at throughout the centuries as the most impertinent of all men, and to suffer public hatred as the most unjust.
A hundred times has one spoken to you of the insolent absurdity with which you condemned Galileo, and I speak to you for the hundred and first, and I hope you will keep the anniversary of it for ever; I desire that there be graved on the door of your Holy Office:
“Here seven cardinals, assisted by minor brethren, had the master of thought in Italy thrown into prison at the age of seventy; made him fast on bread and water because he instructed the human race, and because they were ignorant.”
And so around this time I began to ask questions. “Why to you think that?” “What is your proof?” “Show me?”
In graduate school I got into trouble as people would make aesthetic judgments and I would argue any position against inoculation. It is best to learn early that you’re a contrarian. Voltaire assured me:
“If you want to be an author, if you want to write a book; reflect that it must be useful and new, or at least infinitely agreeable.
If an ignoramus, a pamphleteer, presumes to criticize without discrimination, you can confound him; but make rare mention of him, for fear of sullying your writings.
If you are attacked as regards your style, never reply; it is for your work alone to make answer.
Someone says you are ill, be content that you are well, without wanting to prove to the public that you are in perfect health. And above all remember that the public cares precious little whether you are well or ill.”
Thinking of Voltaire
It was long ago I read Voltaire alone in the college library. Nixon was in the White House; students ran across campus “streaking” and everywhere I looked, people who were perfectly respectable were smoking as much marijuana as they could get their hands on. I understood at 18 there was something overtly deleterious in the air, a disatisfaction with fortune. Voltaire was just the balm. As to authority Voltaire got me laughing with:
“Wretched human beings, whether you wear green robes, turbans, black robes or surplices, cloaks and neckbands, never seek to use authority where there is question only of reason, or consent to be scoffed at throughout the centuries as the most impertinent of all men, and to suffer public hatred as the most unjust.
A hundred times has one spoken to you of the insolent absurdity with which you condemned Galileo, and I speak to you for the hundred and first, and I hope you will keep the anniversary of it for ever; I desire that there be graved on the door of your Holy Office:
“Here seven cardinals, assisted by minor brethren, had the master of thought in Italy thrown into prison at the age of seventy; made him fast on bread and water because he instructed the human race, and because they were ignorant.”
And so around this time I began to ask questions. “Why to you think that?” “What is your proof?” “Show me?”
In graduate school I got into trouble as people would make aesthetic judgments and I would argue any position against inoculation. It is best to learn early that you’re a contrarian. Voltaire assured me:
“If you want to be an author, if you want to write a book; reflect that it must be useful and new, or at least infinitely agreeable.
If an ignoramus, a pamphleteer, presumes to criticize without discrimination, you can confound him; but make rare mention of him, for fear of sullying your writings.
If you are attacked as regards your style, never reply; it is for your work alone to make answer.
Someone says you are ill, be content that you are well, without wanting to prove to the public that you are in perfect health. And above all remember that the public cares precious little whether you are well or ill.”
Dogs' Lives, Human Lives

Dogs’ lives are rounded compared to ours. Humans lead Cubist lives, our minds are jagged and point everywhere, often in states of confusion. Dogs are round. They wake to sun and sleep with the moon and when they scent the atmosphere they get their news simultaneously from all directions. A dog’s life is a yurt; a man’s is a paltry shack.
Bleak House and the New Year
Last night I “tuned out” the New Year’s hype as I always do. I read Charles Dickens. I was occupied with Bleak House and if you’re a reader you’ll get the humor—“occupied” is a hopeless understatement. One is never done with Bleak House. Its about a multi-generational lawsuit that promises to end when pigs fly and steals lives both young and old. It was the perfect thing to read as 2014 ended for Bleak House is the greatest soap opera ever written—by definition a soap opera must be endless and rife with past miseries and a cast of opportunistic cynics who trade on dysfunction. Again, its the apparent endlessless of the controlling incitement of plot that lands a novel in soap opera land. And so I read from it as another chapter in our soap flake sponsored American narrative ended. We’re caught up in the miseries of our past: racial profiling by police forces; violence against black children, adults; against women and citizens with disabilities—all these realities are products of unresolved hostilities that steep in the unhappy coverts of America.
Dickens understood unhappy coverts—the mansions and board rooms where decisions affecting the poor are debated and enacted. The men in coverts (they are mostly men but there are some women) don’t like the ugliness of poverty which means your covert must be impregnable. Bleak House is a soap opera about the collective terror of human monstrosity. Money, Dickens says, promises to lift us up, or, in turn, hide us from the terrible streets where the poor, the dazed, and the deformed live.
Across the Atlantic in these United Sttes ugliness and disability were fused in laws designed to protect ordinary citizens from encountering cripples on the streets. Example:
“No person who is diseased, maimed, mutilated or in any way deformed so as to be an unsightly or disgusting object or improper person to be allowedin or on the public ways or other public places in this city, or shall therein or thereon expose himself to public view.”
2014 was the year when Americans struggled with improper persons allowed in public.
If you don’t look right, you don’t look right. The wealthy build more coverts. But you see, those of us who are black or blind or are otherwise troubling in a hundred protean ways have the right to stand, walk, jump, laugh, or shout in the village square. This is an inalienable right. It’s a global right. Back to the soap. The covert-istas want to have clean streets.
In Bleak House the only morally addmirable character Esther Somersen becomes disfigured from smallpox—she becomes ugly and blind, thereby assuring she won’t go outside again. She’s forced to stay in the covert where the avaricious and greedy hide.