Covid carousel…

I blog almost daily. Sometimes I’m under the couch and I dictate words to the Mac. When sitting upright I type. Yes and occasionally I’m only half under the couch.

At least I have a couch. I have a computer. Depressed though I may be I can decide whether it’s a supine, under the furniture day or it’s time to sit upon the wing backed chair.

“First thought, best thought,” Jack Kerouac said. Jack, I’m now on the leather love seat, thinking about your unrivaled haikus.

In my medicine cabinet
the winter fly
has died of old age

Now to me that feels like a COVID poem.

Medicine; winter; died; cabinet; fly; age…

A bird on
the branch out there
— I waved

For Kerouac the most important thing about his version of haiku was the picture and the kick. No syllable counts.

Who has time for syllable counting?

Not me. Here’s one just now:

Blind

I heard a fly
About the room
Lost

Blogging gives a writer an advantage not found in a formal approach to the page. I’m talking about speed blogging which is the only kind I do.

Clumsy fingers
Can’t pull nose hair
Mind runs hot

Yes I’m half the day under the sofa.
Yes I’m lucky to have a sofa.
Yes the sofa is beneath a roof.
I have heat and food for now.

And mind, that old gambler, dreaming of horses still unborn.

The Toy Theater

If you spend enough time trapped in your head you eventually become nostalgic even if you’re young. My guess is even a ten year old recalls her first stuffed dog with fondness. As a child in Helsinki I had a toy monkey which I hid in a little cupboard and together we had our own private toy theater. I also had a wooden top that sang while spinning. My first playthings. One can say nostalgia “is” a puppet theater with figures moving in and out of shadows, vivid for a moment then less so.

G. K Chesterton was perhaps the greatest connoisseur of the toy theater. As Gary Wills puts it: “he was led to wonder what thing, however slight and trivial, was not fathomless by reason of its existential act.” Chesterton wrote: “If living dolls were so dull and dead, why in the world were dead dolls so very much alive? And if being a puppet is so depressing, how is it that the puppet of a puppet can be so enthralling?”

In Chesterton’s view existence reduced to its bare minimum is a mystical excitement and all we should ever need. I view nostalgia as the unbidden, quiet reminder of this.

**

Camus got it right. “Every act of rebellion expresses a nostalgia for innocence and an appeal to the essence of being.”

**

Long ago when I was young enough to think about style for the first time I thought suede shoes were excellent—not the Chet Atkins variety but the “Hush Puppy” kind, the beige ones. I was 13 and those were some good shoes. The shoes of nostalgia will fuck you up.

Of the Hush Puppies I recall after wearing them for a day or two they tended to stink. Then my father said: “Your shoes smell like dead rats.” “How do you know what dead rats smell like?” I asked. “I was in WWII,” he said.

BTW I could never get my father to talk about the war. He fought in the Pacific. There were lots of rats.

What I’m getting at is not all memory items are properly Chestertonian. Toy monkey, yes. Beige Hush Puppy no.

Tartuffe in the Faculty Senate

College faculty are (to my mind) like those lobsters you see in restaurant tanks.

There are of course many kinds of professors. In the faculty senate you’ll meet the following Moliere-esque figures:

The “Tartuffe” is an administrator, usually a dean or provost who will tell you with affected gestures that he, she, they, what have you, cares a great deal about blah blah blah but never helps out.

The “Harpagon” is also an administrator, but he, she, they, can also be a faculty member. The Harpagon is driven by rhetorics of cheapness but he, she, they, generally drives a nice car.

Statue du Commandeur: a rigid, punctilious, puritanical type—“this is the way we’ve always done it. If we changed things for you, we’d have to change things for everybody. Yes, it certainly must be hard…” See:

The Geronte: when his son is kidnapped he says: “Que diable allait-il faire dans cette galère?” (What in the deuce did he want to go on that galley for?” In other words, he brought this upon himself. “Really, shouldn’t you try something easier? I could have told you.”

“I am, I fear, Inclined to be unfashionably sincere.”

–Moliere

The Rutabaga Party

I remember a poem by James Tate about a man who walks into a field and eats raw rutabagas–I think that’s right, though this may not be exactly what Tate wrote and I could look it up but I’m not going to and anyway no one really cares. Maybe it was turnips. The point is that there’s in each of us a desperate poverty of imagination and a terrible hunger also and we’re not likely to solve the problems with our current tools. So much for poets. They suggest what ails us. Poets are not generally problem solvers. Kurt Vonnegut Jr. used to say that if you’re looking for the smartest people in any given university you should avoid the English department and head over to Physics.
But I suspect they eat turnips over there as well.

So I’m sitting on the couch in my tattered bathrobe and the planet is dying and the politicians are talking about cancel culture. They think wearing a mask during the pandemic is a cultural issue and by god they have the right to spread the virus and nothing is more important than defending Mr Potato Head. I’d prefer it if they said: “raw rutabagas for everyone!”

This would be better for the nation in many ways. The rutabaga contains the following: Calcium: 60mg (6% of the recommended dietary allowance for adults) Iron: 0.6mg (8% of the RDA for adult men; 3% for women) Magnesium: 28mg (7% of the RDA for men; 9% for women) Phosphorus: 74mg (11% of the RDA for adults)
Potassium: 427mg (13% of the RDA for men; 16% for women)
Zinc: 0.3mg (3% of the RDA for men; 4% for women).

You see? You won’t get rickets if you eat rutabagas. But all you’re going to hear about is how the liberal elites are trying to cancel your superstition and hatred.

One more thing about the rutabaga. It contains phytonutrients, including lutein and zeaxanthin. These antioxidants are important for eye health, and consuming enough of them may help prevent cataracts and macular degeneration, two eye diseases related to aging.

I think unhappy centrist Republicans should start the Rutabaga Party.

Ode to Doofuses Everywhere

Of the word doofus these are its principal synonyms:

berk [British], booby, charlie (also charley) [British], cuckoo, ding-a-ling, ding-dong, dingbat, dipstick, featherhead, fool, git [British], goose, half-wit, jackass, lunatic, mooncalf, nincompoop, ninny, ninnyhammer, nit [chiefly British], nitwit, nut, nutcase, simp, simpleton, turkey, yo-yo…

Now of course if you’re disabled like me and you had a disabled childhood you heard a lot of demeaning terms during your formative years. I make no excuses for those who still use them nor am I cheering ableism. Half-wit is ugly, as is simpleton, nutcase, nut, lunatic, mooncalf and fool.

But I do like ding-dong and yo-yo.

**

Doofus is thought to be related to goofus. Some say it’s akin to doo-doo.

Why do I care?

Because there’s an innocence to the word.

**

Stan Laurel is a doofus, saintly.
Moms Mabele, Kurt Vonnegut, doofuses, saintly.
I grieve the steady erosion of land upon which the doofus can stand.
You can’t be a doofus, saintly, if you’ve a manifesto.
Charlie Chaplin! Doofus!
Walt Whitman!

**

Yes I’ve lived in Doofus-ville. Most of my life actually.
Here’s a tip: the saintly comic innocents are never to be found in city hall.

**

Here’s a quote from G.K. Chesterton that helps illuminate the necessity of the doofus:

“Every confession that man is vicious is a confession that virtue is visionary. Every book which admits that evil is real is felt in some vague way to be admitting that good is unreal. The modern instinct is that if the heart of man is evil, there is nothing that remains good. But the older feeling was that if the heart of man was ever so evil, there was something that remained good—goodness remained good.”

You see the doofus stands for what remains good when the human heart is ever so small “e” evil.

One of my favorite quotes from the Three Stooges:

“How’re we gonna get in pictures? We know nothin’ about movies!” “There’s a couple o’ thousand people in pictures now who know nothin’ about it… three more won’t make any difference.”
(Curly & Moe)

The doofus knows there’s a good-goodness about showing up.

It comes over one, like a sentiment, what to call it?

It comes like sentiment, what to call it? Is it hope? “Put the spy glasses down boys! That’s land!”

Early yesterday I heard two cardinals singing while snow was falling. Hope is the thing with feathers. I told you: there’s general feeling about it.

In today’s academy we’d invent an interpretive grid which could be lowered over the feathered imaginary; we’d call it hope theory. We’d find a way to hold the “h” word up for suspicion–hope is a product of capitalism; it’s a religious fantasy, it’s the opiate of the masses. No one should be allowed hope without critique–it’s a gateway drug to innocence.

**

Of innocence one thinks many things.

In more innocent times we asked questions like “what’s the “beyond” in Bed, Bath, and Beyond? We were max-innocent. We asked because the answers would be foolish. If nothing else the Trump years have rid us of vapid fancies.

Meanwhile one thinks of Will Rogers: “An onion can make people cry, but there has never been a vegetable invented to make them laugh.”

Now this is true as far as it goes. He means peeling. I’ve yet to peel a rutabaga and just crack up. The name of the rutabaga will make you smile but so what?

In more innocent times…

Well of course there never were such times. But a fool and his nostalgia are not so easily parted. But there never were such times. While people watched “What’s My Line?” on their Dumont televisions they were executing the Rosenbergs.

Will Rogers: “Things aren’t what they used to be and probably never were.”

Peter Charles Hoffer’s splendid book “Clio Among the Muses” tackles this very problem. In short we’re living in an age when as he puts it, “there’s too much history to bear.” We’re also prone to believing only the history we like and the devil take the hind most. Christopher Columbus butchered and enslaved human beings. Hey, my grandfather loved Christopher Columbus. The latter view is a call for more innocent times.

Hoffer notes that suffering is crucial to our understanding of greatness in human beings, noting that Lincoln was not the best educated candidate for the presidency but he was certainly the greatest sufferer:

“Lincoln served as president during the most horrific and perilous of all American wars. His life, until the Civil War erupted, did not seem to prepare him for greatness. But it did prepare him for suffering. Often lonely, beset by images of his dying mother, melancholy and depressed, he identified with others’ suffering. Suffering taught Lincoln to hide a portion of his thoughts and feelings, and the empathetic suffering he exhibited during the war. The poet W. H. Auden wrote, “Let us honour if we can; The vertical man; Though we value none; But the horizontal one.”

In more innocent times…

Will Rogers: “The worst thing that happens to you. May be the best thing for you if you don’t let it get the best of you!!”

**

More about innocence:

Don’t imagine your shoes are innocent. They know the moist, ineluctable whispers of the unconscious. And don’t imagine that just because pharmaceuticals have been pushed as the cure for depression there’s no such thing as the unconscious. Freud and Jung had it right and even your pharmacist knows it, knows it because his shoes are dark and moist. Even the dancing pump and the foam filled cross-fit shoes of leisure are filled with half starved archetypes. The murderer knows his shoes. The priest. The politician. I take no pleasure saying so, I”d prefer innocence encasing our precious feet.

In her novel “The Cold Song” Linn Ullman writes of Jenny, an aging socialite who’s preparing for a party in her honor:

“She looked at the shoes, paired up like well-behaved children on the floor by her bed. Such pretty shoes, the color of nectarines, from the sixties, she remembered the store where she had bought them.”

Ullman knows. The shoes look pretty but they’re steeped by the drains and threads of the unconscious and they’re not well behaved children at all. And we know about those stores from the sixties don’t we?

**

Shoe, I have not loved you with my whole heart;
Truss, I fear you’re coming…

Emergence of old age.

Dante: “we call shaggy all words that are ornamental.”

Ornaments of this aging vulgar tongue…

Pray the noblest words alone remain in the sieve…

For Dante, language was new—it was his language, the juicy vernacular. English ain’t so new anymore. “Make it new, make it new,” he cries, waving his stick. That “he” is me.

Spoon me some glottal stops, shout me some noble ballate.

Had me a literary education. Learned about recitations charmingly delivered. But at night I kicked frozen turds on the icy street. In those days I talked to anyone. Fable fable.

Gettin’ old. Just want to rest my head on the bosom of moral philosophy. Ain’t that the way of it? Start and end with moldy books and sinister shoes.

**

Imelda Marcos had one thousand six hundred pairs of shoes and a lot of blood on her hands. The unconscious won’t let you “buy out.” As for those shoes, Imelda’s, they were telephones to the torture chambers.

**

I went to the shoe store and placed my feet in the measuring pans. My feet transmitted a sudden and stark message—“we feel shy down here; we’re under examination. Please get us back inside our shoes.” I wondered about this. The tragedy of it. “When,” I wondered, “had my feet learned to be timid?” “It’s the whole damn system” I told them. “Capitalism has taught you to feel incomplete.” But when your feet are farouche the whole body jumps that way. The temporal lobe said: “I too don’t wish to be known.”

I really wanted Mozart just then. Anything other than the grey neural distress that emanated from my feet and circled outward to the farthest ring of my skull. “Jesus,” I said, “you’re just buying some shoes.” But the temporal lobe said: “There’s no such thing as just. Would you just saw off your hand?” So I was forced to conclude, encouraged to conclude, the body’s anguish is like intense moonlight.

The shoe moment helped me recognize what my autistic friends already know. There’s no “me”—there are only the eager, bristling, dancing, component parts. Now ask yourself how you get through the day?

Oh my feet, you moth eaten grand seigneurs, keep talking. It’s OK.

You can have your shoes back even if they’re not without red dreams.

The Hill in the Woods

Some days I just want to share a poem that has held special meaning for me. I first read this wonderful translation by Robert Bly from the Swedish of Harry Martinson when I was 19.
Enjoy!

SK

The Hill in the Woods

Harry Martinson
(Translated from the Swedish by Robert Bly)

Two boys from town
Walked out in the woods one fall day
To reduce a farm girl
Whom the weird people had stolen.
They found the rock mountain in the woods
And knocked at the stone door
Hoping the troll was out somewhere picking
lingonberries.

But the troll was at home,
And came to the door himself.
“I guess you’re looking for the girl,” the troll said.
“But the’s not at home.
She’s gone out to pick lingonberries.
We’re going to have some lingonberry sauce.”

The boys wondered what direction that would be.
“It’s off there,” and the troll pointed.
The boys thanked him for the information
And set off in that direction.
They found the country girl alright
But she didn’t recognize them.

She wasn’t too wild about being interrupted picking
either, she said.
And how do I know about you.
Maybe you could just change the whole way I see things.
The boys understood then that she hadn’t gotten into
the spell.
She hadn’t been changed by the other world so much
As she’d picked up bad habits.
But they still wanted to get her to come along.
Then she really got angry and worked them over.
She was stone-strong all right.

Safely home they didn’t say a word to their parents,
And ate their mush in silence.
They realized also that the people around here
Were not interested, as they used to be,
In trolls and people stolen.

This and many other thoughts moved in their minds
While they bit still frightened on their wooden spoons.
They signaled to one another under the table
With their feet as usual and went on eating.
The milk was turning.
That usually happens when there are thunderstorms
Or when someone has been working with troll power.

Name Your Private Opera: Thoughts on Caruso’s Birthday

Well I don’t know about you but I love the Great Caruso. Today is his birthday. The greatest Italian tenor of all would today be one hundred and forty eight years old were he still among us. And he is of course since he was the first operatic star to make gramophone records. He sang into a cardboard horn and the force of his breath pushed a stylus which carved his voice into acetate grooves. How lucky we are to have him with us still.

I was a kid when I fell in love with a Victrola in my grandmother’s attic. It was summer. Kids were playing ball. And there I was with a wind up gramophone with a metal horn. Blind kid alone with an old fashioned record player at the top of a Victorian house. I fell under the spell of that machine. It worked perfectly and there were dozens of records featuring the great Enrico Caruso. You have to picture me, five years old, more than a little lonely, and then stunned to hear such a voice under the eaves. I’ve loved Caruso all my life and yet, even now, sixty years later, hearing him pulls me back to my provincial first opera house.

As a child the poet W. H. Auden loved machines, especially mining equipment, so much so his parents thought he’d grow up to be an engineer. With poets it’s the engines beneath the skullcap, those marvels those devices which are unseen in the outer world. And so for me it was the Victrola that signaled a recursive, shadowy, inner life.

There were lots of artifacts in that attic. A raccoon coat, a sea captain’s chest, a cracked boudoir mirror, cane chairs that were eaten through, dusty books, a sewing machine, oddments of all kinds, tools I couldn’t identify. I explored with my hands while the great tenor sang of vengeance or a broken heart.

Think about your private opera. I was lonesome as a cricket. I was in love with a strange singer.. Best of all I’d no one to tell.

I still hear the needle hitting the record. The sound of hay scratching hay.

In my case poetry has always been a kind of forsakenness. The solitude glitters. Do you know this feeling? Rain runs down the window and you press your forehead there. You see you need nothing.

D. H. Lawrence wrote: “It’s no good trying to get rid of your own aloneness. You’ve got to stick to it all your life. Only at times, at times, the gap will be filled in. At times! But you have to wait for the times. Accept your own aloneness and stick to it, all your life. And then accept the times when the gap is filled in, when they come. But they’ve got to come. You can’t force them.”

Yes there are moments when the fire warms and the inn is open. Family and lovers; neighbors, strangers well met—a trusty dog. Behind this scrim is the solitude. It was me. It was the voice of a tenor singing in the dark.

Just

Just

A little more to say
A little less
Anaximander knocking on my skull
Goodbye mother you deep sufferer
I’ve buried you beside my brother
Nature leans in
October’s falling leaves
Their dance macabre
Oh a little more
I’m sorry I didn’t understand
A little less
The undertaker hands me
Your hospital possessions
In a trash bag
Your teddy bear falls out
Lands on your fresh grave

And there I was holding someone’s teeth…

One fine day when I was in a fine day mood and therefore had the illusion nature was my friend I bent low to the sidewalk and discovered a set of false teeth. Now I must add it was springtime and the first bees were taking flight and the world smelled like damp hay as it does in the snowy north when finally the melting is through. It was warm in the sun and cool in the shadows. And there I was holding someone’s teeth.

This happened in downtown Ithaca, New York. There’s a pedestrian mall where once there were streets. And shops selling New Age jewelry and sneaker stores and mystifying boutiques no one ever visits.

Now holding a stranger’s lost teeth is not like anything else. It’s one of the many things in this life for which there’s no analogy. You can attempt it but you’ll fail. It’s a bit like stepping barefoot on a worm but not quite because holding someone’s dentures radiates sorrow–someone has lost their choppers and the loss invites the obvious “how” and then “why” wouldn’t you notice and was there a crime involved?

The teeth were dry.

What to do? I put them in my pocket and walked to the police station.

Of course you know what’s next. The cops didn’t care about the teeth. The desk sergeant said: “yeah, well, stuff happens.”

I thought he was going to hand them back but he agreed to keep them in their lost and found bin alongside umbrellas and lost mittens.

No one loses his or her teeth without knowing. Perhaps the teeth were in a purse or pocket? Maybe? Why would you take your teeth out in the middle of town? Was a crime involved?

I left the police and walked about for a time. I remembered James Brown saying: “Hair and teeth. (You) got those two things (you) got it all.”

It was spring. Unseasonably warm for April and someone was either dead or at the dentist.