“The white streak in our own fortunes is brightened (or just rendered visible) by making all around it as dark as possible; so the rainbow paints its form upon the cloud.”
—On the Pleasure of Hating, William Hazlitt
The leaders of nations are again whipping up hatred and though one may stoutly observe this circumstance is customary I don’t think the American variant of it is time worn. Donald Trump represents a national vanity, the disdain that comes at the ends of empires. The white streak in America’s fortunes is soiled and Trump’s boys fear they’re losing control of the census. Trump’s aspersions are steeped in rhetorics of scarcity and the terror of dark hordes. This is not to say that prior empires have been without their particular gloating rancor but Trump’s possessed by a vision of absolute scarcity built on a racialist proposition of thievery. He believes the colored peoples of the earth are stealing from America’s hard working white people. Victorian bigotry was built in large part around the idea that foreigners were sinister carriers of disease or represented chaos that must be contained—Dracula is a novel about the British fear of the east more than anything else. Trump’s Dracula is a hydra of ethnicities and yes, women and cripples and queers who seek to steal America’s vitality. In this way his hatred and its expression are vampiric. It is altogether fair to wonder if “The Donald” has ever donated blood.
Now another word for this kind of hatred is despair. After the murder MacBeth says: “For, from this instant,/ There’s nothing serious in mortality:/ All is but toys — renown and grace is dead.”
It’s the age for cowards. The hating coward feels no guilty remorse. it’s enough to have power. If this power is based on despair and has no nobility that is the way of it. Another way of saying there’s nothing serious in mortality is not to say life is cheap but that it has no grand purpose beyond the acquisition of personal power. It’s the rage of humiliation. In her unjustly overlooked book “Metaphysics as a Guide to Morals” Iris Murdoch wrote: “the condition (for instance as humiliation) may, almost automatically, be ‘alleviated’ by hatred, vindictive fantasies, plans of revenge, reprisal, a new use of energy. There is, which can be no less agonising, a guiltless remorse when some innocent action has produced an unforeseeable catastrophe. A common cause of void is bereavement, which may be accompanied by guilt feelings, or may be productive of a ‘clean’ pain. In such cases there is a sense of emptiness, a loss of personality, a loss of energy and motivation, a sense of being stripped, the world is utterly charmless and without attraction.” There can be no better description of Donald Trump and his gestalt than this.
The fish in the sea is not thirsty and Trump doesn’t know how stripped he is. He strips others—in every way. This is why his political imagination is joyless. He hates and his “base” as it’s called on television is thrilled. This is what Simone Weil called “malheur” a type of affliction. Hillary Clinton was wrong when she called Trump’s most enthusiastic supporters “a basket of deplorables” because most of them feel neglected, powerless, betrayed by the powerful, and so want little more than vengeance. All is but toys—Trump gives them the nursery of rage and it makes them real. One thinks of the commercial where an elderly woman has fallen and can’t get up. The poet Paul Valery: “the desire for vengeance is the desire for balance.”
Vengeance and balance, vindictive fantasies, cowardice, a loss of energy and motivation are the essential ingredients of the Trump pleasure principle. You might say these are primordial factors in the rise of Fascism but in America it is more accurate to call it a fetishized pissing contest.
ABOUT: Stephen Kuusisto is the author of the memoirs Have Dog, Will Travel; Planet of the Blind (a New York Times “Notable Book of the Year”); and Eavesdropping: A Memoir of Blindness and Listening and of the poetry collections Only Bread, Only Light and Letters to Borges. A graduate of the Iowa Writer’s Workshop and a Fulbright Scholar, he has taught at the University of Iowa, Hobart and William Smith Colleges, and Ohio State University. He currently teaches at Syracuse University where he holds a University Professorship in Disability Studies. He is a frequent speaker in the US and abroad. His website is StephenKuusisto.com.
(Photo picturing the cover of Stephen Kuusisto’s new memoir “Have Dog, Will Travel” along with his former guide dogs Nira (top) and Corky, bottom.) Bottom photo by Marion Ettlinger