I call the seahorse
After hours of reading alone—
Neo-Platonism
Clear stones in mind, circles and circles—
Bring your coordinates!
Outside branches
Barely green, night wind.
I urge
We float in sensible mist.
I call the seahorse
After hours of reading alone—
Neo-Platonism
Clear stones in mind, circles and circles—
Bring your coordinates!
Outside branches
Barely green, night wind.
I urge
We float in sensible mist.
“No, I will not climb into that hole with you,” says heart to brain and thus begins daily Parcheesi.
**
I love Dante. I love him so much I once stole his bust from the English Department at Hobart College. I kept him for about fifteen years. Sometimes I’d light a cigar and blow smoke in his face. Then one morning, on a whim, I returned the bust. Put him right back on the bookshelf.
Properly, he smelled smoky.
**
Writing gets you in trouble. Not writing gets you in trouble. I’m told bird watching can get you in trouble what with the real estate laws.
**
Spoke once with Pentti Saarikoski via telephone. “Maybe one day we will meet in this mad world,” he said. Of the meeting, never. Of mad planet, quasi-Quisling Sasquatches running the show…
**
Lately I’ve been eating berries.
**
The study of aesthetics and anesthetic are not far apart.
**
Dear Wallace Stevens: my angel is very small, folds up really, suitable for all leave takings.
Anything becomes a poem. My old friend
Chews lustily speaking of Chekov
And I think he’s eating
Lawrence’s “mystic” fruit:
an apple
becomes mystic when I taste in it
the summer and the snows, the wild welter of earth
and the insistence of the sun…
Now after rain, early spring, hop-scotching birds,
avian imperfect, mystic the wild ordinary.
Only the dead feel at home—“My father’s house has many mansions…”
“You have to understand,” the poet said, “life is a rented room, not much more.”
Sometimes I have to laugh
Thinking of piety, all those down payments
For what is essentially free. Death is it’s own house.
The windows are open, late Autumn, rain coming, the old curtains billowing.
Happy birthday. You sit alone
& play the scratched LP
That’s always been yours,
A dead singer’s uplift
Is all you’ve ever needed.
Memory is a trick—
Like rebellion
In youth
Visions & results
Remain far apart,
But at least
That (you
think) is
Something one can
Count on.
Through a small window
Under the eaves
You see neighborhood
Children
Walking home
From school
Their rain jackets
Yellow as finches.
A compact life this year,
You & Miles Davis
In the attic—
Happy birthday.
Happy birthday.
& time to turn the record over.
Hilarious to be the blind boy who loves Brahms
Face pressed to fabric speaker of radio
Holding fast, seaward, first hint
Of big idea—cardamon pastry
In his hand—rain
At the window
1958 & grownups
Sleeping, Helsinki
Late Winter
Ships calling
From the harbor
His heart beating
As if he’d
Inherited it
From a gull
Picking mushrooms
A proper Scandinavian
Original food of poverty
Summer of baby coffins
Where are the songs?
I’ve one or two
Funereal cradle lullabys
Old Finland
Sometimes play them
On a guitar
Now end of Winter
Preparing for Spring
That is, my simple trousers
Hung well
On my stippled
Inefficient legs
& I was right with the world
Belonged
On the street
Had contributions—
Beside
The village pump
I sang a short song
The seahorse’s coordinates
Had their way with me then
No longer welcome
In the story teller’s circle
I was far at sea
Without friends by sundown
Silent laughter
History of marginalia
Scribes kicking one another
During the Mass
A stray cat walks in circles
Everyone has scars on his back
“What’s behind this writing?”
Says the instructor
Who scarcely knows what he asks
In my grandmother’s attic I found a silver toothpick
Buried in a small wooden box
Like Egyptian sarcophagi
For mummified crickets
Something funereal
Once there was a grand occasion
1906 the Great Caruso home
After San Francisco
Everyone raising a glass
At Del Pezzo’s
Strangers lovers
Grateful
To be alive
In the age of song
& the tenor handing out his souvenirs