Reading Sappho

By Andrea Scarpino

 

someone will remember us

I say

even in another time

 

Of Sappho’s writing: one complete poem and hundreds of fragments: torn pieces of papyrus—some found wrapped around Egyptian mummies—quotes included in ancient texts. 

 

The ephemeral nature of art, time’s fickleness, a culture’s changing attitudes. Sappho translator Willis Barnstone writes, “But the best indication, perhaps, of the general availability of her works in the classical age lies in the number of quotations from her poems by grammarians, even late into Roman times, which suggests that both commentator and reader had ready access to the corpus of the work being quoted.” And, “About 380 C.E., Saint Gregory of Nazianzos, bishop of Constantinople, ordered the burning of Sappho’s writings wherever found.” 

 

We can read Plato “virtually intact” and of Sappho, only pieces. A moment. A line. A breath. 

 

I read and reread Anne Carson’s translations of Sappho. And I love the fragments, their expansiveness, how much can be said, deduced, understood with only a moment on the lips. 

 

if not, winter

] no pain

 

I know what this means, exactly; I don’t need more narrative. How much a line of poetry can hold. How much of a story can be told without even one complete sentence. Or only one complete sentence: 

 

Eros shook my

mind like a mountain wind falling on oak trees

 

Doesn’t that say all that needs to be said? 

 

Which is not to dismiss the sadness I feel for all those lost poems, the sadness that sexism and religious fervor nearly obliterated such a lovely voice. A voice deemed threatening. 

 

At the end of his translation of Sappho’s work, Barnstone quotes from Stobaios’ fifth century Anthology

 

“One evening, while drinking wine, the nephew of Solon the Athenian sang one of Sappho’s songs, and Solon liked it so much that he ordered the boy to teach it to him. When one of the company asked why he was learning it, he answered, ‘I want to learn it and die.’”

 

Can you imagine? A work so beautiful, sublime—lost to ash as libraries were burned to the ground, destroyed. 

 

Again, Carson translates: 

 

You got there first: beautiful [

and the clothes[

 

And I think, yes. To write with such richness that even a fragment, a torn piece of text, can say all that needs to be said. This should be each of our goals, shouldn’t it? To make every word count. To make every moment shine.

Just Go On

I just go on writing poems. Shadows in the weeds. Everything fragrant. Late summer. In general my life has been composed of mistake after mistake. When I’m feeling kind toward myself I say this is “being human”–but every minute has a different name for sorrow. “What about joy?” you ask. Joy has ten fingers and once face. Peek-a-boo. A few thoughts in the morning garden. Miracle trees and clouds. I laugh like hell at a sparrow who looks like James Cagney. I’m blind. How do I know? I know. 

Disability and the March on Washington

The poet Issa said “I wave my skinny arms like a tall flower in the wind” and today I’m waving my skinny arms. Waving and flapping. For I’ve just watched speeches from today’s “Fiftieth Anniversary” of Martin Luther King Jr’s march on Washington and Lordy I’m hearing from the MSNBC pundit crowd that nowadays civil rights means more than just our ethnic identity–it means LGBT and Latino. And no one says the “D” word. Disability wasn’t spoken from the rostrum or in the talking heads section. I was not surprised for neo-liberal culture has a hang up with disability and that’s nothing new. But I’m flapping out here in the wind. Will probably do it all my days. 

 

As Issa would say: “before birth, after birth, that’s where you are now”–let’s just keep shining out here in the meadow like a red hot autumn chrysanthemum. 

 

 

From Translation Notebooks

Morning custom:

keep with dream-prayers,

whisper, look into the lake.

 

Hold fast, don’t be troubled,

sadness waits in the library.

 

**

 

When Easter comes

a quiet sorrow 

wakes in the leaves

sun enters the branches.

 

I go to my secret garden

dig up my flute.

 

**

 

Meeting the only people

who are colder today

than yesterday…

 

**

 

poems provide,

preachers take

 

**

 

Come in and go over:

Night’s rain…

Such a young face

and the sufferings of old age…

 

**

 

green 

night sky

black clouds

flock

toward dawn 

rising

on light wings

and the ocean, the ocean…

 

**

night sounds

rain like hard footfalls 

atrial meter buzzing

child dreaming

laughing in sleep

best moment of day