Wrought from iron
four sided word–
mill
forest
bird
boat
a thing
one word
boat-forest-bird-mill
how else
to tell it?
Wrought from iron
four sided word–
mill
forest
bird
boat
a thing
one word
boat-forest-bird-mill
how else
to tell it?
–at 16
There was a doctor who asked if my latch key string
was a fetish. (I’d lost that key, falling, so suicidal
I was a bird.) 98 pounds, hips like ears,
maybe you know the story–
in hospital, a Russian man wept in bed,
having no English, one night, showed me his scars.
I saw hunger was Judas‘ silver–so clean
and short-lived. Starting to read:
Mid-Autumn full moon, the luminous night
Is like a boundless ocean. A wild
Wind blows down the empty birds’ nests
And makes a sound like the waves of the sea
In the branches of the lonely trees.
Rexroth, old Chinese, a deathless root system
of poems–soft tyrannies of song–I was empty already
of everything else.
Disability Rights And The Interational Symbol Of Accessibility
(Huffington Post)
February 22, 2013
LOS ANGELES, CALIFORNIA– [Excerpt provided by Inclusion Daily] Justin J.W. Powell and Liat Ben-Moshe have written a great short history of the icon signifying accessibility for people who use wheelchairs for the magazine Stimulus Respond. The story, they argue, is one of “exclusion to inclusion.”
For most of American history, they begin, there was no icon at all. This is because people in wheelchairs were largely excluded from public life. There were no efforts to ensure accessibility, so no signs of accessibility were needed.
In the late ’60s, however, Rehabilitation International partnered with the United Nations and the International Standards Organisation to sponsor an international competition for an icon. The winner, a Danish design student named Susanne Koefoed, had submitted the icon on the left. In committee, they noted that Koefoed’s design erased the person in the wheelchair. They added a head, creating what people around the world recognize as a symbol of accessibility.
The symbol is still evolving.
Entire article:
Disability Rights and the Interational Symbol of Accessibility
http://tinyurl.com/ide0222136
State To Clamp Down On Skin Shocks At Judge Rotenberg Center
(s.e. smith/Care2)
February 22, 2013
CANTON, MASSACHUSETTS– [Excerpt provided by Inclusion Daily Express] Big, and fantastic, news out of Massachusetts, where education officials, State Attorney General Margaret Coakley, and others are making a move to regulate the notorious Judge Rotenberg Center more closely, reacting to public outcry over the school’s controversial use of shock “treatment” on disabled students. This decision was made in part because of people like you, almost 12,000 of whom signed a petition here to demand closure of the Judge Rotenberg Center.
While regulation isn’t closure, it’s the first step in a closer investigation of the school and one that will lead to safer conditions for students — and, possibly, an eventual decision to shut the school down if it doesn’t meet standards and provide students with the best possible learning environment.
What, exactly, are officials doing here?
Coakley filed a motion last week to vacate a court order that has allowed the Judge Rotenberg Center to stand outside regulatory scrutiny since 1987. Fun fact: the school was renamed from the Behavioral Research Institute to the Judge Rotenberg Center in the 1990s for the very judge who limited government authority over the school with that court order in response to attempts to shut it down in the late 1980s. Under the court order, the school’s questionable educational practices were allowed to continue, and the state agencies who normally oversee facilities like the Judge Rotenberg Center had their hands tied.
Entire article:
Success! MA to Clamp Down on Shock Therapy in School
http://tinyurl.com/ide0222131a
Related:
Patrick fights Rotenberg shock therapy decree (Boston Globe)
http://tinyurl.com/ide0222131b
Judge Rotenberg Center — Facility Uses Electric Shock To Change Behavior (Inclusion Daily Express Archives)
http://www.inclusiondaily.com/news/institutions/ma/jrc.htm
Look at the bookcase. Strange lives all over.
Each writer “had” or “has” a ghetto inside.
Books say its alright to grieve or fall down in the street
or seek love without talent. What a mystery!
How do you evolve from being a miraculous infant
to become Raskolnikov–where are the baby pictures?
You see? It’s the middle of the life that counts. Start there.
She and I look into each other. She doesn’t understand it, my sorrow,
my “orphan”–a tyranny of school or church,
a paradox enlarging silence. After dark
we go searching the ideal life, two tramps
in mud time and she probes among stones,
scenting nails, buried spoons, staves and dishes,
late winter articles of shadow
for her nose is the hypnosis of the past.
Don’t you know she says, you can join our life?
To her all things are true, present, clear, so very clear.
I have a secret tucked in the hippocampus, its handwriting like action paint, you know? There’s a protection racket, women with pitch forks, children who’ve been dragged into war, their fathers dead, the whole ball of fire. All the sub-rosa people want transfusions or gin. Food. Recipes from Atlantis. Anything.
The Cold War. I walk around balancing the tea cup, little plates of artful strawberries–a reception, the American Embassy, 1982, Reagan howling about winnable Nuclear War, Mercedes and BMW’s glittering in the underground garage, that smug, pink, Mormon Ambassador who thinks the world is just a mosaic, nothing more, his eyes always darting to see who is next.
–for Doug Anderson
Think about the pressure that makes each fact float,
high rise buildings at the edge of___________,
in my case, Helsinki, the apartment complexes
“post-war” vaguely Stalinist, “a good place
for electro-shock” and the architect
now in a mad house. 4A stands where
once, in ‘38, they made machine guns
and a row of bicycles waits
like old horses queuing for hay,
children pitch coins at the bus stop,
flickering faces share structural damage
from repeated loading–half the locals
have turned to stones or worse.
My trick was to rise early,
walk out “into” one of those photos
from the last century,
forget the hell of nothing
and show off my brand new suit
to a circle of crows.
I was young back then
and used to think about two truths approaching,
money and labor, music and envy,
tautological, drunk,
seeing the stains through the wallpaper,
blind of course, pushed across the streets
by strangers, what a muddle!
Think about the pressure that makes each fact float.
Think about the invisible ink invented
by George Washington, and remember
despite his caution, our first president
also wrote in code.
The day draws to a close and I feel the losses of boyhood, the boy who was sent away, too blind for games, too blind for school. This is why the furniture grows heavy as the light disappears. This is why the trees stand like cold giants.
At five I sat alone in the woods. Our neighbor–a lawyer whose house was behind a stockade–went to the fields with a gun and a flock of children. He was going to display adult heroism by shooting snakes. I asked if I could come but he said my blindness would prevent it. When he was gone the children taunted me:
“You can’t come because you’re blind!”
“Yeah, you might get hurt!”
A pine cone hit me in the chest.
“Look! He didn’t even see that coming!”
“A snake might bite him!”
Then they vanished.
Some nights in the cold I start to fly. Loneliness flows from the pines.
I mean it. I’m cast off and nameless.
Many more things happen than you can see. Advantage to the blind.
The spectators leave too early to get the score.