Goodbye, Bird That Shat On Me

My mother was an alcoholic and not a functional one. Her life was marked by drawn curtains, broken fingers, phantom pains and prescription drugs which, mixed with scotch tended to make her psychotic. When I was a college freshman and no longer living at home she stalked my younger sister around the house clutching a knife. My sister took refuge in a locked bathroom and waited it out. By dawn our mother was asleep on the living room floor in a tangle of shoes and bottles. This story is in no way singular—my sister and I are just tiny dots in the ocean of abused children. The story of my adult life has been the relentless pursuit of self-acceptance, forgiveness, emotional intelligence, and compassion. I think forgiveness and compassion are different as forgiveness can be merely political and compassion is more concerned with lovingkindness.

I work with people who don’t necessarily like me. Chances are good you do too. You may be tougher than I. You might not care about the ghosting malevolence of the workplace, the soiled superegos of competitively unhappy souls who turn up in every meeting, warehouse, classroom—or for that matter even in leisure spaces. Me? I tend to care too much about the opinions of others. This is because the long emotional after effects of my upbringing make me prone to a knee jerk impulse to fix things. If people are ugly I think it’s my job to improve them.

That’s of course its own addiction. I’ll solve your problem. Get you another drink so you won’t hit me. Disguise the damage to the best of my ability. I’ll make excuses for you. I’ll imagine your unhappiness is my fault.

Until one day I don’t. One day after attending Al Anon and undergoing some excellent therapy I decided my mother was on her own.

Nowadays I attend to my own esteem though not without set backs. There’s a senior professor at the university where I work who went out of his way to sabotage me behind my back—an ableist, smug, privileged “shyte” as the Irish would say. I don’t think I can forgive him and I certainly can’t imagine offering lovingkindness.

I know this is what I should do.

I’m a lefty Episcopalian.

Then it dawns on me: I can let him go like a pigeon one has restored to health. Out the window he goes with a spark of feathers. He soars through tangled clothes lines. I shut the window. Turn up Mozart on the radio.

Lovingkindness can in fact be letting the bird who once shat on you find his own way.

A Perfectly Level Headed Note Now that I’m 64

I was born on this date 64 years ago. My twin brother died in the next room.
I was born prematurely by three months. I lost my vision in an incubator.
I’m aware that even today there are “bioethicists” who’d argue against my existence.
I know who they are. There are one or two at the university where I teach.
Sometimes I tell myself I know more than I used to. I know that not all Greek infants with disabilities were put out to die on mountains. I know that Oedipus means swollen foot and his story is a perfect disability dumpster fire. I know his story still haunts the blind. I know there are one or two at my university who believe the blind shouldn’t be on campus. Or the lame. Or the mute. They ruin a perfectly good agora. I know these things but care less about them since I know the arc of history bends toward disability justice. I really do believe that. I also know that universities hate hiring the disabled. I believe that will change. I have to believe these things. Tap your shoes together three times Dorothy. Sam Cooke: “A change is gonna come.” And maybe not today. On the other hand….

What the Imagination is For: Reflections on Boyhood Cruelty

I make jokes like most people. When I was young I made some cruel jokes as I was bullied for my disability and I looked for children more vulnerable than I was in order to humiliate them and gain a modicum of status. Status is a fragile thing when you’re twelve years old. Having it or not depends on the temporary love of brutish schoolmates and in my case gaining this required art. I remain ashamed of the story I’m about to tell. I make no excuses. If being a blind kid in public school was rough, if I was pushed down stairs, if my glasses were stolen, if I was targeted with nicknames, well so what? I was clever and desperate.

I picked out a kid who sat next to me in math class. His name was Norman and that was bad enough. But he was also gangly, awkward, ill at ease in his skin–just like me. Talk about Carl Jung’s “shadow”–I saw in him everything I hated about myself. He wore maladjusted spectacles and had uncombable hair. There was really nothing wrong with him. It didn’t matter. I could see he was defenseless. He stammered slightly. He was shy. He became my target.

What did I do, you ask? I made him legendary. I drew cartoons depicting him as an ostrich boy with a bird’s body, a periscope neck and a wide grinning face and I named this creature “Normanure.” I even made fun of his stammer with a cartoon bubble that said “Duh!” Though I could scarcely see I could draw serviceably and quickly. I plastered Normanure all over the school. This ugly episode lasted about a week before a school official caught me sticking a cartoon on a bulletin board. But here’s what I recall most vividly. Before being apprehended for assholery Norman himself accosted me and rather than punching me out he asked the most basic and fair question anyone can ask his tormentor: “Why are you doing this?”

I couldn’t answer him. I slunk away. I had no language to describe the starved mice eating my nervous system or my shame at being blind or my terror when thinking about how I might live. I was dehumanizing a perfectly good person.

That was fifty years ago. I remain sorry to this day. And the terrible ugliness of online trolling; the name calling spurred on by the current putative president; the sorrows of people with disabilities who are still largely unemployed and unappreciated–these are never far from my thoughts. And no, I can’t expiate my miniature “Lord of the Flies” moment with a blog post. Nor can I tell you that nowadays I’m an exemplary man. But I do believe in emotional candor and ethics of care. I’m alarmed by all the big bodied twelve year olds I see in the public square. But I’m alarmed also by the knowledge that my insecurities can produce cruelty. It is altogether proper to know what the imagination is really for.

Believe in Your Own Flight and the Flights of Others

Alert, gravid, a bit edgy thinking of the republic where I reside, wondering if it’s possible for 21st century Americans to acquire the self awareness required for true citizenship. I’m not a pessimist. I don’t believe Facebook and iPhones have destroyed our body politic. I don’t think the polarization of the so called left and right are inevitable and permanent. American history proves otherwise. And yet, at its best, citizenship is about informed discernment, knowing what you think and why you think it. These days it seems few Americans routinely ask “how did I acquire this position and what might be wrong with it?”

On the right people think anything that smacks of socialism is bad. On the left they think the profit motive is bad. Meanwhile the nation runs on both.

How to not hold one’s head? Take a walk in the winter garden. The earth smells of damp pears.
There are tracks of animals in the snow. I feel a tremendous, terrible freedom under my shirt.

I’m going to ask questions. And here I am, walking on ice polished by the wind.

What’s required to be optimistic?

I’m a believer in life much like proteins “are” life.

There’s a smell of smoke from my neighbor’s house.

Today he is believing in life.

Be in your own flight but believe also in the flights of others.

Typing Mister Roberts

As a ten year old who though he’d become a writer I attempted a novel. My model was “Mister Roberts” which meant that I was writing about the Navy and imagining the doings of grown men at sea. How I wish I had those pages now and could see what a blind kid thought the maritime world of wholly fictive adults would be like. I suspect I imagined an adult world that was honorable as a distinction to my grade school life of constant bullying. As a disabled child in public school I was a target for physical and emotional abuse. The novel “Mister Roberts” and the film based upon it suggested shipboard life was decent.

I think of this now because I know better. As Wallace Stevens famously wrote: “the world is ugly and the people are sad”—and while that may not be a life’s goal, that is, to live in wantoness and depression—these are factors in the reality principle. The Navy may have honorable men and women but their stories and presences aren’t always probable. We’ve a land of permanent wars and poverty and bigotries of every kind. And the grade school bullying I once endured still goes on for children everywhere and I even experience adult forms of it in the workplace.

It’s the utopian hope of writing that’s so compelling to me. When I write I clean streaked windows with vinegar. Animals come. Some eat from my hands. Strangers come to understand each other. And these things are not entirely of imagination Wallace Stevens notwithstanding.

Yesterday I took an Uber ride. My driver spoke very little English. He was from Central America. He loved my guide dog Caitlyn, a yellow Labrador. Suddenly he said in his halting English: “I wish her long life!”

The world is ugly but people still have love. In turn I’m not certain I’m all that different from my ten year old self. That kid was insisting on decency.

His grown up variant still does.

From a notebook….or, “the warlock hair”….

This morning I’ve too many thoughts to hold in place. No meditation “app” will help. Mozart on the stereo is doing his best. Good old processed Mozart.

Late stage Capitalism is eating my wiring like a wild mouse. Good old processed Kuusisto.
I’ve got the algorithm blues.

I type too much. My neck is a mess.

There’s a single black hair growing on my nose. I’m a warlock.

Because I was beaten as a child I’ve a warlock hair on my nose. Nothing stays hidden.

Of course I’m imprisoned in myself. Of course that self is something else. Of course these words are something else.

There are stones inside my fingers.

I’m trying to not age out of hope.

Blind I cannot track the flight of birds but I know they happen all around me.

The history of the mind is not the history of ideas.

Miniver Cheevy! I bet he had a warlock hair.

I remember a thing or two. Just like my tongue does.

Of course I found a spoon in snow
While missing you,

Gulls above the harbor
Baltic yellow mid day mid winter

A policeman talked softly to his horse
I was proud of my new wristwatch

Cheap but Swiss made
Being of the scholar class

It was a totem thrill on my wrist
You my brother my twin

Gone in infancy who followed
And follow—listen

I’m sewing together
A seahorse like the one

We rode in the womb

Where shall I put this shaved magic hair?

Disability by Any Other Name

I’ve been disabled all my life and I hate the term. Beneath it, like Poe’s tell tale heart, is the pulse of loss. The “d” word is Karl Marx’s term: a 19th century mark for injured workers. It originally meant the lack of utility or earning power owing to a broken body. I prefer to be called a citizen.

That I’m a blind citizen should matter not at all. Did you know that blindness is nothing more than being born left handed? Disability is a false name which pulses underneath us and continues to cause human beings with diverse bodies terrible harm.

Of course there are cutesy efforts to fix the d word like putting the “dis” in parentheses to emphasize ability. This has always seemed to me like putting antlers on a cat. Diversions are seldom more than gestures and unless you’re using sign language gestures don’t mean much. Most if not all disabled will agree we’ve had enough of gestures.

The d word can’t describe me or the hundreds of d people I know. My band is made up of practical men, women, and children who have imaginations, wisdoms, loves, sorrows, tastes, and ambitions. For them the d is a horse collar—outdated, heavy. No one needs a horse collar anymore. Blind I’m disabled by the idea I’ve nothing to give. Disabled I’m doubly blind—not seeing becomes figurative worthlessness.

Citizen is better. I’d like my value to be understood as a matter of the hive. And yes, “value” is another tell tale heart. Value for whom? What does value mean? Why should the tax payer pay for a kid with Down syndrome to go to school?

Hitler called the disabled “useless eaters” to suggest the state shouldn’t support the unproductive. The presumption of competence, that the disabled have potential can’t co-exist in a purely industrial and essentialized vision of human bodies. It’s a terrifying vision. The d word is outworn, dangerous, and like the horse collar above, unsuited to a century when work itself is being reexamined.

I believe the future of work will involve more and more autonomous systems—robotics, driverless cars, supply chains that are fully automated. What will work mean for humans? It’s possible that deconstructing the d word will be important for everyone. Or it already is.

The Old Jokes

Old Jokes

1.

Where do they go the old jokes? The Sumerian howler—”Something which has never occurred since time immemorial; a young woman did not fart in her husband’s lap.”

Up the chimney they go.

It’s safe to say almost no one laughs at the residue of smoke.

2.

But we do. Farts. Smoke. Bad breath. The old jokes tell us we ought to weep.

And poor old Freud who had no sense of humor and wrote and wrote and wrote about the matter.

3.

“You go first” was in fact the first joke.

4.

When a friend was dying I told her I’d just come up with punch lines, minus the tedium.

“OK,” she said. “Show me.”

“I’m not that kind of a pig,” I said.

Punch lines don’t need support.

5.

Sometimes I think dogs invented the first jokes because of their noses. We can only approximate dog words. All their words are hyphenated. Grey squirrel standing in gorse. Muskrat nibbling on chicory.

6.

Don’t forget last words. Oops. The finest epitaph.

Brief Essay on Wasting Time, the Virtues Thereof

I can waste time with the best of them. Whitman’s loafing. Though I suppose he meant something lurid.

I can loaf without an agenda. I am almost a Buddhist loafer. I am not kidding.

I can drink a pot of tea and admire the snow.

Spend half a day listening to Chopin’s concertos which are better than I remembered from my lonely childhood beside the phonograph.

Walk in circles around my neighborhood with a dog for company.

I can waste time.

I know soon enough time will waste me.

I’m not afraid.

Do you hear me clocks?

The nothing that is not there and the nothing that is….you don’t scare me.

The power that comes from drifting.

Reading Bleak House at Christmas

I wasn’t cut out for holidays. Drunk parents. Too much catastrophe from kitchen to parlor. By the time I was in high school I saw the advantage to reading stout novels and claimed it was for school—later for college. Unless they are fleetingly sentimental drunks don’t care if you’ve disappeared.

I read Tom Jones while my parents drank scotch and burned a turkey. Vanity Fair as they fought over my father’s decision to un-retire. The Egoist I read while my mother wrapped old kitchen implements in newspaper—she thought melted plastic spatulas would be excellent for re-gifting. A “delicious” irony as my sister and I often rescued Christmas pasts by undertaking emergency house cleaning and cooking. I found 19th century novels were best. Tolstoy was right about all unhappy families. Melville and Dickens weren’t wrong either. Human beings thrown together by economies or architectures or marriages or patrimonies—all sink together while fashioning narratives designed to hold others in thrall to ugly misapprehensions. Ah, the novel! My holiday lifeboat these many years.

Some years I’m devoted to re-reading as is the case with Bleak House. The joys in doing so are almost unlimited:

“The universe makes rather an indifferent parent, I’m afraid.”

“But injustice breeds injustice; the fighting with shadows and being defeated by them necessitates the setting up of substances to combat.”

“Everything that Mr Smallweed’s grandfather ever put away in his mind was a grub at first, and is a grub at last. In all his life he has never bred a single butterfly.”

“There is something indefinably keen and wan about her anatomy, and she has a watchful way of looking out of the corners of her eyes without turning her head which could be pleasantly dispensed with, especially when she is in ill humor and near knives.”

“Mr. Guppy suspects everybody….of entertaining… Sinister designs upon him….he in the most ingenious manner takes infinite pains to counterplot, where there is no plot; and plays the deepest games of chess without any adversary.”

“He [Old Mr. Turveydrop] was a fat old gentleman with a false complexion, false teeth, false whiskers, and a wig. He had a fur collar, and he had a padded breast to his coat, which only wanted a star or a broad blue ribbon to be complete. He was pinched in, and swelled out, and got up, and strapped down, as much as he could possibly bear.”

“Lady Dedlock is always the same exhausted deity, surrounded by worshippers, and terribly liable to be bored to death, even while presiding at her own shrine.”

The delights of “Bleak House” are inexhaustible.