Walking Around My Neighborhood Just Like in the Old Days

Stephen Kuusisto wearing a fedora and trench coat, standing beside a dragon in Kyoto, Japan

There’s a line in a Beatles song: “Oh that magic feeling, nowhere to go…” That’s how it was when I was a student years ago at the University of Iowa’s “Writers Workshop”–one could walk all day around Iowa City and there were no mobile phones. And in addition to this wonderful unplugged way of living, and owing to the fact I was a graduate student studying poetry writing, well, I could drink tea and read whatever I wanted and no one could find me for hours on end. Oh that magic feeling.

And so this morning, briefly, walking the neighborhood I felt that life. It came back to me like an old friend.

So I was having nostalgia for something proportionate to my need for living in imaginative sustenance. These lines by Emily Dickinson have long puzzled me:

“That Love is all there is,

  Is all we know of Love;

  It is enough, the freight should be

  Proportioned to the groove.”

The first two lines are an assertion and express a sentiment older than Plato. The second two lines create a problem as while we dimly understand love and accept this condition, now there’s a simile dressed as a metaphor, we carry our inexact knowledge of love like freight (which we assume is heavy) and further, that freight is proportioned to the groove by which she means a furrow—so there’s a plough in this figure, we press down with our limited knowledge of love into the field of life. But what about “proportioned”? She means, I think, that our thinking of love should be in accordance to the lives we’re “in” and not according to the lives of others. In the end the effect is lonely. Love confounds. Keep ploughing according to your own understanding. 

**

In his excellent book “Emily Dickinson and the Art of Belief” Robert Lundin writes: “Dickinson realized that belief is an art that demands trial and practice. A product of the romantic age and a prophet of modernity, she comprehended more fully than most people in her day how much the human mind contributes to the process of belief. Art, after all, is about the making of things; and in matters of belief, the history of the modern world is the story of our increasing awareness of the extent to which we participate in the making of truth as well as in the finding of it.”

Are making and finding connected to “proportionate”? Are truth and faith? One has to conclude that faith has material effects much as Spinoza told us—God is in the gravity and answers no prayers. God in the Spinozan sense is not concerned with you but is nature alone. Proportoniate means in this sense a man or woman corresponds exactly to something else. We are each responsible for the proportioned making of our places in the world. Faith, as Dickinson understood it, is material.    

 

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Author: stevekuusisto

Poet, Essayist, Blogger, Journalist, Memoirist, Disability Rights Advocate, Public Speaker, Professor, Syracuse University

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